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Words & pictures by
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Juice Recordings is set to give MTV a funk
transfusion, and the Washington, DC-based
breakbeat label has three 12" releases
busting out this summer. At breakneck breakbeat
speed, this independent label continues
to make waves in the big game, while keeping
it real at home for the loyal locals. With
influences from the Florida old skool rave
scene, and of course from the groove fanatics
of the always-edgy nation's capital, there
seem to be no boundaries for this label.
Named by Lotus Magazine as a DJ to watch,
Wes Smith runs the show, and alongside a
keen business sense and kickin' retro wardrobe,
he also produces the funky tracks we're
set to hear this summer and throws down
heavy but highly danceable sets nationwide.
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Sounds
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DJ
Wes Smith
"Cut
the Record"
Juice
Recordings (USA)
Listen
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Due
out on 12" in June
2002
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"People in DC come out to dance - that's
the focus of almost any night out, in any kind
of club. This isn't the case everywhere else.
So not only am I playing for a crowd that's into
the tracks, at Buzz or one-off, you've got ridiculous
breakers out working the floor, plus the rest
of the crowd is on it from start to finish. This
is DC."
Analog in San Francisco got a taste of that local
flavor as Wes Smith's set provoked more than a
hour of continuous breakin' antics that consumed
half the floor and pretty much got the whole place
hyped up. Halfway through his set, Wes dropped
FreQ Nasty's "Fresh" and followed it
with "FreQ-A-Zoid", and the crowd greeted
this saucy gesture with much arm-pumping and exuberant
chants of "Freak Freak!" If this is
what a DC party is like, bring it on.
Juice
is working hard to elevate the presence of U.S.
breaks artists. MTV recently licensed 12 of their
tracks for "Making the Video" and "Living
the Dream", guaranteed to give viewers a
reason to get off their couch-loving asses and
dance this summer.
"This all came about really fast,"
Wes explains, "and I think the mainstream
is going to really love the sound even if they
don't understand what it is! DJ Moon's full-length
album, with unreleased material, is also headed
for MTV. His exclusive remix of Groove Armada's
"I See You Baby" is due out in June
or July, which should be huge. If MTV picks up
my latest track, then I'll know for sure it's
a raver making the choices!"
The direction of Juice Recordings will be exciting
to follow over the next few years. Kicking off
on the funky side of things in 1996, Juice continues
to put out breaks and funky house representing
a spectrum of artists, but with an open mind to
the harder side of things developing in DC.
"As far as CDs go, we've got the Breakbeat
Bunch Volume III coming out this year, which is
really more Florida style funky breaks. Volume
II was with Chris Gallagher and the one before
that I did with Debbie D from Florida. DJ Moon
is coming out with a remix of Groove Armada's
"I See you Baby", which should be fantastic.
Juice has 5 vinyl releases planned this year.
For an independent label, putting out one every
two months or so is on the mark. We're just really
enjoying all the different styles of breaks. It's
been a long time, especially in the States, that
breaks have been strictly funky stuff. Here in
DC, all the nuskool and 2-step have been gaining
popularity in the last few years. It's widening
the playing field - suddenly we have all different
sounds domestically that are all breaks!"
URB
Magazine has named DC's Buzz the nation's best
party for 4 years running. Recently Wes Smith
gained Buzz Booth status, alongside many broken
beat heavyweights.
"It's great to be in the Buzz Booth! I knew
Lieven and Scott Henry when I was just listening
to music, and then when I moved up to the area
from Florida, Buzz was the first place I ever
played. I've had almost 20 visits but it's never
routine! If you play there every few months, Buzz
has always changed - they move the booth around,
the crowd is changing. They pull in very cutting
edge lineups. The best lineup I've played with
has to be the Honeydew party - John Acquaviva
, Richie Hawtin, Zed Bias - that was the first
time I got to play on a lineup with recognized
UK artists."
DC is known for its relentless house scene, but
breakbeat artists establish a space in the place
through consistent production and a core group
of fans, promoters, and DJs that demand track
selection ahead of the curve, along with maximum
dance floor impact.
"Most of what goes on in DC are one-offs,
or Buzz. I admit that there aren't many regular
breaks parties, but we get into an extraordinary
number of house events. We've been really pounding
away in DC for years to make sure breaks has a
presence. I think one of my biggest supporters
have been the D-Tribe Production guys. They throw
the biggest funky breaks or breaks house events,
anything along those lines. I'm a resident with
them, which winds up being 5 or 6 parties a year,
with a couple thousand people out there, which
is nice.
"Because it's DC, with almost any kind of
electronic music, you will get a good crowd. But
as far as breaks, the fans are really loyal, and
whenever I play there's this core group that turns
out to support and have a really good time, and
that's what I love about the scene there. It's
not just a party. People that dance still really
like the funky breaks worked into the break-core
sound, or mixed up with the dark drum 'n' bass
turned breaks style."
To meet this demand, Juice Recordings doesn't
hesitate to represent the funky side of things.
In terms of getting dark and dirty, Wes Smith
(along with other local artists) feels like his
DJ style can be heavier than his flip-side remixes
due out his summer, while still staying true to
what fans.
"I
like the Florida stuff too and I play some of
that. We have some really good consistent artists
who are into that coastal sound and they're enjoying
what they're doing, and running their own labels.
I'm pushing the harder breaks, along with locals
like producer Adegen and some other great artists
coming up. The artists from DC [and] the Northeast
have always has had a harder feel - it's darker.
I don't see us doing electro but we definitely
have some darker tunes in the works. We're able
to produce and DJ at different levels because
the DC breaks scene is so hungry and willing to
branch out.
"The latest Juice tracks are mostly funky
breaks - one has a remix of mine on it that isn't
Florida style, more like Swamp DJish, big beat
almost. But we do have a few artists coming up
in DC, including myself, focusing on harder material.
In terms of influences, I'm big on the Zinc remixes
right now, I'm not even sure what they call that
style [laughs]. The choppy heavy bass lines and
tracks that aren't so big on the trancey side.
And of course T-Power tracks are amazing. All
in all, we're in a fantastic position to grow
with what's here and influences from all over."
Check out Wes Smith's touch on the flip side
of 2 funkier tracks on each 12" to be released
one-a-month, all summer long! Spontaneous dance
parties highly encouraged
All photos were taken at Analog
in San Franciso. For more info visit and to listen
to tracks and mixes, visit:
http://www.djwessmith.com
http://www.juicerecordings.com
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