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UK

Trigger

Custard Factory, Birmingham
Saturday, October 26th 2002

Words & pictures by

Trigger in Birmingham (UK) has become an integral part of the UK breaks scene; promoter Kosmik Neil has been feeding his obsession with bass while building Trigger over the last 5 years. Situated within an enclosed quad in Birmingham's city centre, Trigger events draw DJs and punters from all around to experience the infamous soundsystem. If that wasn't enough, Neil puts on occasional all-nighters. For these special events, the outside pool is drained, fitted with a canopy (to keep the rain out & the music in) and an enormous soundsystem.

The latest one was in October 2002 and boy did it rock!

As you enter the Custard Factory you are greeted with the sight of the massive canopy over the 80 metre long pool area. The water had been drained from the pool and replaced with a mass of bodies getting down to the resident DJs spinning quality breaks to warm everything up for FreQ Nasty's arrival.

Another thing which was apparent when I got to the bar area was that there were so many players from the breaks scene in attendance, most of whom had braved the appalling weather to come from London and the south. Among the names that had come up to party where crews from TCR, Botchit, MBN, En:Vision, Rat & MOFO magazine. The fact that so many had come up to party is a testament to Trigger's reputation.

When FreQ Nasty took up the decks, the already substantial up-for-it crowd swelled and soon erupted as the Skint man threw out slab after slab of filthy bass ridden breakbeat. I personally have never seen such a huge crowd in the UK in attendence purely for breakbeat; almost 1500 people were in the breaks tent, and it was awesome. As ever Mr. McFayden shook the crowd up with tight mixing and a solid set of wickedly funky bass rollers. Particular highlights for the crowd where FreQ's own Amped bootleg of Public Enemy's 'Bring the Noise' (which caused a feverous response from the amassed throng) and Krafty Kuts' punishing funk fuelled bass beast 'Bunker Buster', dropped to the delight of all present.

FreQ Nasty tore up the tent and had the crowd moist when R-Kidz & Noise from Mechanoise arrived on stage for their live scratchy breaks set. Their selection of choice Mechanoise & personal favourites kept the crowd bustling.

As all of this breaks lairyness was filling up the pool, the second room was crackling to the innovative electro breaks phenomenon that is Radioactive Man and Andrew Weatherall. Keith Tenniswood's Radioactive man guise delivered a live set of intense mind wobbling funky electro-tech with cheeky abandonment. Towards the end of his set Mr. Weatherall was jamming on the decks. Weatherall is without doubt one of the most consistently creative DJ/producers of the last 10 years. He always manages to manipulate everything he does, putting his own unique twist on any style of music he chooses to play. Layering beats and moody atmosphere throughout his DJ set and supporting Tenniswood's knob twiddling.

Keith Tenniswood a.ka.
Radioactive Man

Having the incredibly tough task of following these two blown swordsmen was Mike Wallace playing a live set of hard, dirty electro breaks. Wallace was lapping up the audience's enthusiasm and maintained a cheeky grin throughout.

Also on the bill was an American contingent that included Muti Music's Subekan holding his own in the electro room and Fuel's Salim Rafiq who had flew in from Miami especially for the event. By 4.30 my old bones were flagging but there was still a hardcore crowd lapping up every broken beat.

So much focus is directed to London when the UK press mentions the so-called “Super Clubs”, but Trigger, especially with events such as this displayed all the characteristics of a superior club. A large, friendly crowd, relaxed doorstaff, unbeatable sound system, top class DJs and a cool vibe. If you are a follower of the breakbeat religion make your pilgrimage to Mecca now!

Trigger
Last Saturday of the month
Custard Factory, Gibb St., Digbeth, Birmingham
http://www.trigger2k.co.uk/

 



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