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Saturday, June 15th saw the birth of U-Turn, a monthly
night dedicated to party breaks, funky nu-skool and
ol-skool hip hop. Run by the Beats Working crew, a new
collective of breakbeat heads who've been throwing parties
since August of last year, the party is meant to be
a night where anything goes as long as its funky and
broken to the bone. Resident DJs Scotrod
and Obliveus hold
the fort down every third Saturday of the month, with
a rotating cast of characters to help them along the
way. Held at the International Lounge Bar, 2 blocks
from the Melbourne CBD, the grand opening looked to
be a huge night. Here's how it went:
We rolled up a bit early to make sure everything was
running smoothly and to our surprise the entire place
was pitch black, except for a few makeshift lights on
the bar. Well, it just so happened that City Power was
having problems that day and the entire block had just
lost its juice. After about an hour, the power came
back on, but only after about 40 people decided to try
their luck elsewhere. Regardless of this mess, the Beats
Working boys got on the ball and the music began soon
after.
The first 3 hours of the night were a showcase in hip
hop wizardry as Crism
and Cast dropped
ol' skool beats, juggles and scratches for the breakbeat
punters who were getting their drink on. They created
a seriously rockin' vibe in the place and provided the
perfect backing music to those watching England demolish
Denmark in the World Cup. Cutting in and out of favorites
along the lines of De La, Tribe and the Beatnuts, they
held their own and impressed me very much. By the end
of their set, the dance floor was beginning to fire
up and this opened the door for Scotrod and Obliveus
to unleash the breaks.
Opening with some Freestylers, Krafty Kuts and Grandmaster
Flash was a good choice, as the dance floor began to
shake their groove thang soon after they began their
set. Relying heavily upon their house/breaks stable
of 12's, these two kept the floor going strong as they
went 3 for 3 for the next 2 hours. Not too many new
tracks that I hadn't heard before, but some quality
slicin' and dicin' from the two. Obliveus dropping "Fight
For Your Right To Party" over the new Elite Force
12" caused a few eyes to turn, but Scotrod's use
of the "Where's Your Head At" a cappella over
"Addicted to Bass" just about brought the
roof down. It's nice to hear someone trying weird things
and making old songs sound new again.
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