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Si Begg

December 2001

Interview by Sneak-e Pete

For years Si Begg has pushed the boundaries of electronic music with his cyberized production. His work spans the genres of techno, electro, downtempo and breaks, recording as Buckfunk 3000, Cabbage Boy, and Bigfoot. His newest full-length album project, SI Futures - "The Mission Statement" on Novamute, is a testament to why he is considered a major innovator of the UK nu skool sound.

The album consists of a collection of nu skool robotic funk that reflects Begg's mentality. Each track is a well-arranged voyage layered with subterranean bass and wicked electro stabs. Heavily effected vocals and warm synths push the housier "This is the Way", the instruction manual for hustle freaks "Freestyle Disco", and "We are Not a Rock Band". A collaboration with MCs the Aspects is a ruff abstract hip-hop cut, which had previously been released as a nasty nu skool breaks remix under the name Buckfunk 3000. Yet, it's Begg's electro breaks on the album that show his true brilliance, combining dark rolling waves of bass that slip effortlessly through deep funky soundscapes and razor sharp transitions.

Be on the lookout for his new single, SI Futures - "Freestyle Disco" with two remixes by Buckfunk 3000 and SI Futures, as well as what Begg describes as a "crazy fuckin' remix" by tech-house guru Hakan Libdo.

Q: What kind of software and/or gear did you use in making this album?

A: Mac, Logic, and although I worked with Cubase for years, when I was working with T-Power a while back he showed me all about Logic and have since been using it exclusively. I especially like the ESX24 sampler and various plug-in software and the new Nord modular synth.

Q: How did you like working with T-Power? You both have versions of "I Like That" on your albums and both projects were funky nu skool bombs. Any new collaborations with him or anyone else?

A: We'd both like to work on some future projects, but not right now, both of us have been very busy. I do really enjoy working with T-Power as well as with Tipper, and being able to share tricks and ideas with the two. [Si's next few projects will be for Tipper's Fuel imprint]

Q: On "The Mission Statement", my favorite track, "Ionic Funk" didn't make the vinyl release. Is there any reason why and might it resurface on a 12" single?

A: We were only able to put eight tracks on the vinyl so a few tracks were cut, although I didn't want it to happen. I really enjoy that track too, but the label felt it was a little too abstract. Hopefully it will come out on vinyl, but I'm not sure. Maybe we'll fit it on somewhere.

Q: In the Buckfunk 3000 breaks mix of "All Terrain Aspects", how did you make that nasty deep bass?

A: [laughs] I sampled some bass with the S3000 sampler, using square waves, internal effects, some new distortion software, and parametric EQs.

Q: Although you have numerous releases in many different genres, what's the immediate future of Si Begg and Buckfunk 3000?

A: Buckfunk 3000 will be more bass-heavy breaks on the electro tip exclusively for Tipper's Fuel imprint and different remix work, while SI Futures will continue to approach a much broader scope.

Q: What's your favorite piece of new hardware/software?

A: Definitely the Nord modular, and my favorite sampler, the ESX24. I've almost stopped using my S3000.

Q: What two tracks never leave your crate?

A: I play a lot of Fuel releases lately, Tipper, T-power, Freq, and a lot of straight electro.

Q: Do you ever test tracks by burning them to CD and playing them out?

A: When I play it's almost all vinyl, although I do test tracks on CD to test the sound and response on the dancefloor, and I actually had a lot of fun with the new pioneer CD player.

Q: What do you believe will fuel the evolution of the nu skool breaks sound in the United States?

A: I believe the sound has a chance to break into the US because it crosses quite a few styles. Purists will always exist that are into either techno, house, or trance. Yet by mixing all styles of electro and techno, the nu skool sound has dancefloor sensibility. Only when more DJs start coming over, and people can feel it in the club, they'll sound realize that they can't resist it.

Q: Do you have any US appearances coming up?

A: I'll be making a visit to stay with Neil Landstrumm this spring, promoters keep your ears open!

Si Begg was interviewed by Sneak-E Pete, resident DJ of Blueprint @ Izzy Bar in New York City.

For more info about Si Begg, check out:

http://www.mute.com/sifutures/
http://www.squat.com/noodles/
http://www.sifutures.org/

Si Begg has been an influential UK dance artist since the early 1990s. He has recorded under loads of names like Si Begg, Bigfoot, Cabbageboy and Buckfunk 3000, and on many different record labels including Fuel, Skint, Novamute, Tresor, N-Tone, Caipirinha and Language.

Currently based in London (UK), his latest full-length "The Mission Statement" was released in September 2001 under the artist name SI Futures. The album features the vocoder-fueled "We Are Not a Rock Band" (nominated for Single of the Year by BBC Radio 1) as well as the cheeky new single "Freestyle Disco".

Si also runs the record label Noodles and co-owns (with Christian Vogel) the label Mosquitos. He holds a DJ residency at the famous Big Beat Boutique in Brighton.



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