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Nubreed

May 2001

Words & pictures by

Melbourne trio Nubreed have quickly risen to the forefront of the Australian breaks scene largely on the back of their energetic live performances and the success of their recent first single, "Welcome". After talking with Nubreed for the good part of an hour, I get the feeling that there is a lot more to these boys than a tidy performance and a breaks song that is playable on mainstream radio.

"We have a familiar sound, but not like anything you've heard," they say. "Breaks allow us to do that."

Their unique sound was inevitable, says Nubreed's Jase - the "culmination of ten years of friendship and musical taste" with influences that include "hip hop, old school soul, acid jazz, funk and breaks". Another of the three, DB, pipes in that drum 'n' bass was also a stepping stone to breaks but that it was more part of their "search for the beats" than a prior influence.

"We like that the most often comment heard after our show is, 'I have never heard anything like that!' If we aren't going to take the audience and the scene somewhere else then we and the scene would just stagnate," he says.

To many this may seem like a cliched gloat at musical independence and originality. However, Nubreed certainly have the talent and sincerity to get away with a statement like that. At the recent Two Tribes event in Melbourne they performed on the breaks stage that attracted such a large crowd that the house room emptied out and actually had to be shut down. A situation unheard of in Australia!

Nubreed are not happy to simply find a beat or loop that they think will go down well on the dancefloor. Rather, they are interested in writing proper songs, a quality that is clearly evident on the "Welcome" single as well as impending releases "Food for Thought" and "Rock Da City".

They enjoy the challenge of fitting vocals to their songs, something which Mykel describes laughingly as a "blasphemy of the breaks". These are not just cheesy oneliners, meaningless MCing or sampled phrases but genuine lyrics and harmonic vocals, not unlike some of the work coming out of Beber & Tamra, but with an energy that appears to sit nicely between breaks that are best suited to home listening and breaks that will have a dancefloor bouncing. The vocals really do add to the onstage performance of the Nubreed act with all three squeezing the mike at various times during their set.

Typifying a Nubreed tune - if anything can typify one of their tunes at all - is a combination of fat beats, immaculate producing, and a tendency to completely ignore whichever flavour of breakbeat happens to be popular this month.

Sounds

Nubreed
Welcome
Zero Tolerance (Australia) April 2001

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Apex
Symmetry (Nubreed remix)
Marine Parade (UK) unreleased

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Nubreed
Live @ Revolver (Melbourne, Australia)
October 2000

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Continue to part two of this feature



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