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Midfield General

Midfield General in the mix

In 1994 Damian Harris started a little breakbeat label in Brighton called Skint Records. The label's first release was "Santa Cruz", a record by a local artist called Norman Cook, aka Fatboy Slim.

The rest is history. Fatboy Slim became a dance superstar, while Skint's Big Beat Boutique club nights in Brighton are now the stuff of legend.

Damian's a resident deejay of the Big Beat Boutique, and was responsible for the third installment in the "On the Floor of the the Boutique" mixed CD series.

He also makes music under the name Midfield General. Skint last year released his terrific debut album "Generalisation".

Next up from the Midfield General will be a new single, an Elvis Costello-sampling tune called "Coatnoise". It's due out in February 2001 with a remix by Dave Clarke.

 

 

 

 

 

 

 

 

 

 

 

 

 

You can order these Midfield General CDs from Amazon.co.uk


Generalisation

On the Floor at the Boutique 3

 

 

 

 

 

 

 

To find out more about Midfield General, check out the following sites:

[January 2001] You may know him as the Nicest Man In Dance™ but Damian Harris aka the Midfield General also has a dark side. He's the devil in a sports casual, the evil, brooding mastermind of Brighton's Skint Records, one of the driving forces behind the all-conquering Boutique club nights and the man who launched Fatboy Slim on an unsuspecting world.

Rod Stanley sold his soul for a chat and went down to his lair to talk to him of Napster, life as a DJ, producer and label boss and his worrying propensity for pound-a-pint student nights.

Q: I guess we'll start off with the fact that the Fatboy Slim single "Bird of Prey" became available on Napster some time before its release. You've gone on record as saying that you don't have that much of a problem with that happening. What do you reckon about Napster and the problems that it's presenting to artists at the moment?

A: I still believe that there are enough people who will want to go out and buy the record, and buy something to keep and, well, cherish. Look at the Madonna record ["Music"], it was available three months before and I'd heard it and I still wanted to go out and buy the thing. Radiohead, as well, their album has been available for ages but people still want to own something. There's enough of that attitude, in my opinion, that Napster can be seen as a global listening post, really. There's just a lot of panic - I think it should be looked at more positively. There are things that are more threatening to the music industry, to be honest.

Q: Do you think people are over-reacting?

A: No, it's understandable - if your livelihood is under threat in a time that everything is going so fast, and so many changes are happening, then I think that's understandable. On the other hand, I love the idea someone could go and hear a Space Raiders record and go 'Oh right, I'll go and have a look for that record. And their other stuff.'

Q: Meanwhile, back in Brighton. Are you happy with the Big Beat Boutique's new venue, Concorde II?

A: On the whole, yeah. I know a few people aren't keen but we've still had some really good nights there. I think it was the attitude of the Concorde that was always the important thing, putting on quality nights and not just thinking in terms of pound-a-pint 70s student nights.

Q: Anyone wandering around moaning about how it's not as good as it used to be?

A: Well… <laughs> it's usually me. Yeah, a bit… we're definitely in a bit of a transition stage at the club. Coming out of Norman's success, whilst it was great, it did have a slight downside in that, for a time, it was just tourists coming in to see Norman. I think, for a while, the people we wanted to be in the club were put off by the fact that they didn't want to have to start queuing up at 8 o'clock. But that's not that bad a problem to have, really…

Q: Cream are going ahead with their Brighton superclub, I hear. What does that mean to you and Skint?

A: It could be really good. There are a lot of things about Cream that I think are good. I remember going up to the nights that Bugged Out do at Cream when I wasn't particularly keen on big clubs and everything and it was phenomenal - they had Daft Punk in one room, Dave Clarke in another room and us in the third room. It could be good. Something does need to kick Brighton up the arse. Look at the Zap, the Zap was an incredibly inspirational club for me… for a long time. Since then, I feel it's definitely gone for the lowest common denominator.

Q: Like all those clubs in a row along the seafront doing the same nights on a Friday and on a Saturday?

A: Yeah, that's why it would be nice for a bit of character to come back and that's very important, and that's why Cream might be like a new class act in town and places won't be able to get away with pound-a-pint student nights all the time. Oh, there I go mentioning them again…

Q: Is that a personal pet hate at the moment?

A: Well, no… <laughs> you'll always find me at them. I love 'em. But I do feel that club-wise, we need something based around good music and good people rather than cramming them in.

Q: Ok, so up in London - the monthly night at Fabric, Big Beat Boutique vs Bugged Out! Who's winning?

A: Ahhhh… <laughs> Music's winning. Clubbing is the winner… I know that's sitting on the fence but I enjoy doing a lot of stuff with Bugged Out. They're good people, they've got the right attitude.

Q: So you enjoy these away trips then?

A: Yeah, I played NY Sushi the other day and that was great… no, I enjoy going up to London, it means I can get away with playing the same records I've been playing for the past six months because no-one's heard them <laughs>.

 

Damian on the decks @ Big Beat Boutique

 

Q: These records, do you think there's a housier direction coming through on Skint, on your records, the Space Raiders new tune, even Cut La Roc's?

A: I do think that over the past couple of records, the more interesting records have been housier. It hasn't been a conscious decision. We were doing breaks records a long time ago…

Q: Do you communicate with Freeland and the boys at Marine Parade up the road?

A: Yeah, we do… it's the thing with big beat, that it was such an all-encompassing scene that we did play drum n bass, hip hop, house, breaks stuff that it's a natural thing that certain people go in certain ways. That's one of the healthier things that people have often failed to mention - the nu-skool breaks scene, whatever silly word you want to give it, has mutated out of that. One thing that big beat did do was open things up and enable more boundaries to be crossed. For people who like it darker and moodier… more prog-house driven ,whatever. That's the thing with music, you should be able to go wherever you like and not feel restricted by labels, whatever.

Q: Do you get annoyed when the media create these scenes that are, well, tenuous at best?

A: It is annoying, yeah, but you don't want to resent anything or you never get anything done. Obviously, we did rather well out of the whole big beat phenomena. I always knew that it wasn't represented particularly well but I've always been incredibly confident about the music we're going to put out. Pete Tong actually said something after my mix album - he said that the Boutique has basically come to represent everything that's good left of field. And I'm very happy with that… should get him writing our press releases, really.

Q: OK, leaving the music behind, how do you think the Seagulls [the Brighton football team Skint are sponsoring] are going to do this year?

A: After Saturday, there's been a whispered 'we might go up this year.' After beating Leyton Orient 2-0 on a boggy pitch, there's a general feeling we might go up. There's a note of optimism in the air, for sure.

Interview by Rod Stanley
Originally published on
www.clubinlondon.co.uk



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